The Great Impseronator

Halsey

2024 / Columbia

Written by: Ethan Ainley| October 28th, 2024

Halsey released their fifth studio album on Oct. 25 and it’s an innovative concept album unlike anything that any pop artist in the mainstream is currently doing.

The Great Impersonator sees Halsey viewing her artistry through the lens of different pop decades, and it imagines what a Halsey debut would’ve looked like in those eras. The artist aptly describes it as a “Confessional Concept Album.”

While in a previous album titled “Manic” that explored what it meant to be Ashley [Halsey’s real name], this time around it feels like an exploration of what it means to be their alter-ego, Halsey.

The album experience feels like a peek inside Halsey’s mind and like excerpts from her personal journal. It is a huge creative swing with fun marketing that will hopefully pay off with commercial and critical success.

This album’s rollout has been exciting and unique to any other current artist’s release strategy. Halsey has taken to social media posting a track title, the artist inspiration behind it and a photo impersonation of the artist.

The marketing being timed to release closely with Halloween was a fitting choice and it has attracted many eyes to the new album.

In time this piece of work could land as Halsey’s magnus opus, and it feels like an artist’s final goodbye as they give the world everything they truly can give.

They have mentioned in interviews that there was a real fear of death from illness when crafting this album.

Halsey came to this album with the idea, “What if this was the last album I ever made,” and this is felt throughout the runtime as the music shifts between genres but remains a cohesive piece of standout artistry.

The Great Impersonator is an exciting addition to Halsey’s discography that combines elements from previous records and meshes with their most personal lyrics that they have ever written.

Halsey is an underrated writer, and this album is a great example of their excellent lyricism. They deserve to be in the conversation of the best writers working in the industry today.

This album comes off the heels of their grungy pop-rock album If I Can’t Have Love, I Want Power, which was also a concept album.

Fans of Halsey thought they had seen them at their most vulnerable in the last album, where the singer delved into motherhood and childbirth with the music and accompanying film. 

However, it is in these newest songs that fans get an even closer look behind the curtain as the artist has dealt with several personal turmoil in recent years, which they are not shy about sharing here. 

Halsey has said in interviews that their health issues have brought them to the realization that the next album is not always promised. 

That is exactly the feeling the listener will get from this album; Halsey with a true sense of self and confidence in their ability. 

It’s remarkable the level of introspection that Halsey can reach in this sprawling concept of an album, and there may not be any other pop artist who can match that depth. 

The first song released from the album, “The End,” addresses many of Halsey’s health battles. 

This was a personal release with a solo songwriting credit for Halsey that is an acoustic piece focusing on their difficult health journey.

“When I met you, I said I would never die

But the joke was always mine

‘cause I’m racing against time

And I know it’s not the end of the world,

but could you pick me up at eight?

‘Cause my treatment starts today.”

“The End” – Halsey

The lyrics detail the singer’s struggle with her chronic illnesses that include bipolar disorder, Lupus and a rare Lymphoma disorder.

This song was a great introduction to this era as Halsey also paired it with a health update and a donation to Lupus research and the Lymphoma Society.

“Lucky” was the first official single released from this era, and it takes inspiration from early 2000’s pop, going as far as to sample the Britney Spears original.

The song was accompanied by a glossy music video and deeply personal lyrics where Halsey brings some new insight into the song, even if the song is derivative of Spears’ original.

“And why she losin’ so much weight,

I heard it’s from the drugs she ate,

And I feel her but I can’t relate,

Because I’d never end up in that state.”

“Lucky” – Halsey

The artist then released a punk-rock song called “Lonely is the Muse” which stands out as reminiscent of their previous era. It includes dark production with a whispery layered vocal effect.

In the lyrics, Halsey gets personal about her previous relationships. The title tackles the idea that she will rearrange her personality to fit the person that currently is giving them affection.

The song also comments on the feeling a person gets from being the subject of another artist’s song. Halsey herself has been on both ends of this, having created songs about other people and been the subject of other artists’ songs.

“But I was built from special

Pieces that I learned how to unscrew

And I can always reassemble to fit perfectly for you

Or anybody that decides that I’m of use

Lonely is the muse.”

“Lonely is the Muse” – Halsey

The next single released was titled “Ego” and it harkens back to catchy pop songs from a 90’s punk band.

The lyrics in this single see Halsey considering her current mental state. They really want to “kill their ego” and start over with building up the character they’ve created.

It’s a catchy song but also contains deep lyricism about growth and change that one doesn’t have to be a mega pop star to relate with.

This single was accompanied with visuals depicting Halsey attempting to kill a “version” of herself in the music video and an MTV live performance evoking the idea of Halsey playing in an unknown garage band.

The lyrics in this single see Halsey considering her current mental state. They really want to “kill their ego” and start over with building up the character they’ve created.

It’s a catchy song but also contains deep lyricism about growth and change that one doesn’t have to be a mega pop star to relate with.

This single was accompanied with visuals depicting Halsey attempting to kill a “version” of herself in the music video and an MTV live performance evoking the idea of Halsey playing in an unknown garage band.

“I’m really not that happy being me

I don’t like the lie I’m living

I’m way too nice and too forgiving

I wanna go back to the beginning.”

“Ego” – Halsey

Halsey released the final track before the album’s release called “I Never Loved You” which is an interesting ballad inspired by Kate Bush. It follows a metaphorical love story and utilizes Halsey’s sullen vocals along with dreamy production.

The highlights on this record apart from the previously released music include a breezy six-minute song that opens the album called “Only Living Girl in LA,” the trippy “Darwinism,” the uniquely produced “Arsonist,” the introspective “Only Living Girl in LA” and the perfect album closer and title track “The Great Impersonator.”

“Only Living Girl in LA” has some of the standout lyrics of the album.

“My special talent isn’t writing, it’s not singing

It’s feeling everything that everyone alive feels every day”

 

“I told my mom that I would die by 27

And in a way I sort of did

This thing I love has grown demanding and obsessive

And it wants more than I can give”

“Only Living Girl in LA” – Halsey

The Great Impersonator closes the album with perfect tone that wraps all the conceptual ideas together into a genre-hopping bow.

“Darwinism” has melancholiac production with inspiration from David Bowie and features self-deprecating, introspective lyrics that any outsider in the world has themselves thought.

“Arsonist” is a biting song that begins with lyrics played backwards and stands out on this album as unlike any other songs. Halsey doesn’t hold back anything on this experimental Fiona Apple inspired track.

“A god that you met with some self

disguise as god but you think that you

met a god that justifies all of your actions

and agrees with everything that you’ve done.”

“Arsonist” – Halsey

 

Beginning lyrics that play in reverse on the track.

In particular, the production used in the trio of songs titled “Letter to God” is truly godly and ascends the listener to the certain year that Halsey is intending.

The “Letter to God” lyrics are some of her most personal and address a lot of her current feelings on life and motherhood.

And in a sea of pop albums that only last 30 minutes, it’s refreshing to get a new album that takes an hour of your time and truly invests the listener into its world.

PERSONAL TRACK RANKING:

1. Lonely is the Muse

2. Ego

3. I Never Loved You

4. Dog Years

5. Panic Attack

6. Arsonist

7. Only Living Girl in LA

8. Darwinism

9. The End

10. The Great Impersonator

11. Letter to God (1998)

12. Letter to God (1983)

13. I Believe in Magic

14. Hurt Feelings

15. Life of the Spider (Draft)

16. Letter to God (1974)

17. Hometown

18. Lucky

Final Score: 9/10